Lecture #1: Intro / Listening
NOTE: although we will listen to soundbites of these following music selections, I've downloaded the complete selection. I hope that hearing some of these will prompt you to return and listen to more music. It's easy to find at MilesFish.com
Music Appreciation
Intro: Listening/Familiar Classical Tunes
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PART 1
Preface: Don't say you don't know classical music because you do...
Rossini "William Tell Overture" (:15)
(Rossini Funny William Tell)
Mozart "Eine kleine Nacht Musik
Pachelbel "Canon in D"
Maroon 5
Maroon & Pachelbel
Offenbach "Orpheus in The Underworld"
Bizet "Les Toreadors"
Khachatryan "Sabre Dance"
Copland "Hoe-down from Rodeo"
What is the definition of MUSIC for this class? Organized Sound
John Cage's 4'33
First Things First: a (very) few generalizations about music
1. Music is...
often complicated--and that can be a good thing
JSBach
and it's often simple--in a complicated way--and that good too
Beethoven
2. Music can be a Call to Action--you hear a certain tune and react:
Star
Mendelssohn
Wagner
Elgar
Fight
More Fight
Mood for...
Sometimes this "action" is a Call to Understanding or Call to Change:
We Shall Overcome (Pete Seeger :17)
3. Music usually has a pulse and the speed of this pulse changes you. If the speed of the pulse (beat) of music increases or decreases this changes you. Also when there is NO PULSE, this changes you also.
Ravel (:17, 3:15, 9:37, 13:08, 15:40)
Goodman
Gregorian Chant
Hall of the Mountain King
4. Music has a personality and the "personality" of the music has a tendency to alter or change our per personality.
Mussorgsky 1 (start then Mussorgsky 2 3:20)
Mussorgsky 2 (see above)
Muddy Waters/Rolling Stones
Andy Grammar
5. Music is vibrations and vibrations--and vibration combinations--change you. These sounds, these vibrations, can be memorable melody that moves us or no melody at all. It's a composers art and we are moved by the results. These viabrations are strung together and we are moved emotionally when we hear them.
Class examples
Psyco
Schoenberg
6. Music enhances the story...sometimes TELLS the story. Music allowes us to add our own emiotions to a level that simply telling the story could never do.
Carmen (Met)
Moldau
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PART 2
You know more CLASSICAL music than you think
(because of the movies)
IMPORTANT: Listen closely. You will be tested at the end of the period on these pieces. I
will play it and you will have to name it.
(Remember, you already know most of these pieces, you've just got to attach a name to it.)
- 2001 Space Odyssey 1 (Thus Spoke Zarathustra 0:15)
- 2001 Space Odyssey 1b
- 2001 Space Odyssey 2
- (Don't Worry....Up Beat)
- Titantic (The Blue Danube)
- Hitchcock (The Blue Danube 2:00)
- Concert (Carmina's O Fortuna)
- Twlight (Carmina's O Fortuna)
- 300 (Carmina's O Fortuna)
- 300 (Carmina's O Fortuna) (:12)
- Excalibur (Carmina's O Fortuna) (:12)
- Star Wars (Carmina's O Fortuna :12)
- Jackass (Carmina's O Fortuna)
- South Park (Carmina's O Fortuna) (:27)
- Misheard Lyrics (Carmina's O Fortuna)
- Flashmob Carmina (Carmina) (2')
- Opera (Ride of true Valkyries)
- Rango (Ride of the Valkyries 1:13)
- Blues Brothers (Ride of the Valkyries)
- Watchman (Ride of the Valkyries):20
- Apocalypse Now (Ride of the Valkyries start 1:07)
- 20,000 (Toccata and Fugue in D minor :10)
- The Aviator (Toccata and Fugue in D minor)
- Nosferatu (Toccata and Fugue in D minor)
- Sunset (Toccata and Fugue in D minor)
- Fantasia (Toccata and Fugue in D minor :16)
- (Side Notes: Toccata and Fugue for glasses)
- Ballet (Swan Lake)
- Black Swan (Swan Lake)
- Billy Elliot (Swan Lake 1:30)
- Billy Elliot--Sidetrack (Boggie)
- Recording Studio (Goldberg Variations)
- Silence of the lambs (Goldberg Variations)
- Lone Ranger TV--William Tell
- Calvary Charge--William Tell
- Lone Ranger--William Tell (15:07)
- Concert (Intermezzo)
- Raging Bull (Intermezzo :34)
- The Godfather III (Intermezzo)
- Bugs--Franz Liszt
- Bugs--Opera
PARTING SHOT #2: Puccini / Kaufman
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